mrlobo

So in a couple hours I will fly to Cottonwood, Arizona (where?) to help my dad and cousin pack up the things of my late aunt Melody Winters, who was a musician and seeker. It’s going to be interesting to walk away from all this noise and get back to the reality of loss that this is all about. My heart goes out to everyone dealing with death on any level, especially that vicious assassin cancer. Got to remember that life is transitory and temporary. “Oh my god, it’s a mirage”. Thanks again to everyone out there for feelin’ our little home movie. RIP MCA!

Opening titles for the AMC show “The Killing.” Produced by Sarofsky. I was responsible for the light streaks, light play in the end sequence from the cop car till the end, small type tweaks, and making the lead actress thinner in the last shot!

In which twelve drawings of historical drawing machines are drawn by a computer numerical controlled machine. http://bit.ly/HNlFFB The CNC machine draws each drawing in ink on Stonehenge artist’s paper. Edition of four. Plates: “Dürer’s Door”, Albrecht Dürer, 1525 Machine for Orthographic Projection, Hans Lencker, 1571 “Perspectograph” (Perspective Device), Baldassare Lanci, 1583 Projection Device, Ludovico Cigoli, 1600-13 Pantograph, Christoph Scheiner, 1608 Portable “Picture Box” Camera Obscura, Sir Robert Hooke, 1694 Machine for Anamorphosis, Jacob Leupold, 1713 Perspectograph, Johann Heinrich Lambert, 1752 Camera Lucida, William Hyde Wollaston, 1803 Profile Machine, Carl Augustus Schmalcalder, 1806 “A verie easie way to describe a Towne or Castle being within the full sight thereof”, John Bate, 1634 Drum Plotter “560”, Calcomp Technology, Inc. 1959 Technical Assistance: Madeline Gannon Support Provided by: The Ferguson Jacobs Prize

This video was captured in Dominica. The capture format was RED 4K. Divers were Douglas Seifert and Andrew Armour. Music is by Shie Rozow.

Scheimpflug Employees Jason Kolsch, and Jayson Jordan unboxed the Nikon D4 and made a quick movie, capturing it using the Phantom Gold with Zeiss CP2 Macro lenses. The scene was lit with a K5600 Joker 800, and two 400’s. Colby Moore was the Phantom Technician and editor. The Nikon D4 is now available for rent at Scheimpflug.